On our Thursday visit to Piedra Negra we heard that on
Saturday they would put up a party for Mexico’s independence. At that time I
had already made a plan to go see Junji Delfino at the Sultan Jazz club.
Because we like Junji’s singing a lot and you can drink only so much tequila on
one evening, we figured that the solution would be to go, again, to Piedra for
a bite and some drinks and then walk over to Sultan for Junji. We could even see later whether we could return to the tequila.
It seemed like déjà vu when we got out of the cab at Blu Jaz
and were again welcomed by the lovely Cindy who guided us directly to
Piedra Negra where we would find "boss".
I don’t know when the party had officially started but when we walked into
to Haji lane, I love the fact that it is now closed for traffic, there was a big crowd chatting, eating and drinking. The band were
getting ready to start, which could only contribute to the festivities. It was
a trimmed down version of Ireson with core members:
Alina Ramirez on keyboard,
Carlos Sendros on guitar and vocal
This time, Leonardo completed the band the band on percussion.
Leo, who is also the chef at Piedra, must have been slaving in the kitchen from
the early hours that day, to be able to step out and play on time, but he did it
with vigor and lots of enthusiasm.
A second guest, to cover the lead vocals, waVeronica Barbosa
Rojas.
The band started with the by now classic El Cuarto de Tula,
and continued with a mix of cool Latin and Latinized hits. This is where we came to realize that Veronica's nice warm smile was a mild reflection of her voice with a lot of that Latin fire.
After hanging out there for an hour or so we made our way to
Sultan. It appeared we had planned things well because Junji was just about to
start. She was supported for the night by
Ben Poh on Bass
Darryl Ervin on drums
Joshua Wan on Piano
As expected the music was lovely… Junji was lovely. As I was
trying to discover what I like about her style of singing, I realized she is
singing these standards the classic way, and with a classy appearance.
Joshua, in his Jazz transformation, and not his NeoVintage
alter ego, was solid as always.
Darryl on drums seemed to be having a great night too, sometimes
relaxed and smiling, sometimes apparently highly concentrated.
Visually Ben seemed to be in a zone of his own, clearly
escaped from his weekdays defending the country, he seems more peaceful behind
his beloved bass and not the warrior Singapore is trying to make of him.
The turn out was not that great but that didn’t bother us; at
least it doesn’t on the short term. It is a shame though that more people do not attend small events like this, and it would be an even bigger shame if they
wouldn’t happen less. It may not be at the so called higher standard of the
slick, flawless, well-organized, well-oiled show around a Tony Bennett, but
that to me is also what makes it more fun. This music is so much more real.
This stuff is Live.
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