If the title of the blog
makes you think of experience enhancing chemicals being cooked in some dodgy
basement somewhere down in Geylang, I will have to disappoint you. What I have
started to describe, took place on the attic of Blu Jaz cafe and the only
experience enhancers there, to my knowledge, were; some alcohol, two great
bands, and an awesome crowd, who obviously knew what they came for and were definitely
not disappointed.
First to the stage was LAB with:
Aya Sekine on crazy keys
Michaela Cruz voluminous vocals
Timothy de Cotta boisterous bass
Teo JR On Drums.
First to the stage was LAB with:
Aya Sekine on crazy keys
Michaela Cruz voluminous vocals
Timothy de Cotta boisterous bass
Teo JR On Drums.
I am very sorry not to have
any pictures of the LAB drummer. I don’t know how she managed it with her size
0 figure, but (t or not) Michaela blocked my vision to the drummer the entire
set. Since my primary objective is to be
audience, I like to take my shots from the audience point of view. So where I sit
or stand is mostly what you see. It’s a bit more challenging, but gives in my
opinion a more real perspective.
LAB’s music was mix of own
compositions and rearranged soul covers, of which one even more enjoyable than
the other. Most of the fun however, was to be discovered in the numerous
solo's, and when Michaela
belted it out like she was 6 feet tall an weighed 120 kg. With the actual body mass probably only a fraction of that, I am still wondering where she gets it from.
With the Bassment Syndicate the band composition changed a little bit with focus Marques Youngs’ Trombone as the evident added value.
Hiran Benton – Keyboard
belted it out like she was 6 feet tall an weighed 120 kg. With the actual body mass probably only a fraction of that, I am still wondering where she gets it from.
With the Bassment Syndicate the band composition changed a little bit with focus Marques Youngs’ Trombone as the evident added value.
Hiran Benton – Keyboard
Omar Ibrahim Drums
It was now more of Marqous Young's Trombone that set the tone for the band, equally voluminous, if not more, as the Michaela before.
At this point, in all honesty, I have to do little soul
searching, and try to pin point on the real reason for my preference for
the long hard notes by Marques and Michaela. Of course for the most part it was
because it felt exhilarating, but I was also thinking that the 3rd floor music
was finally louder than the downstairs "comedy" event, a regular on a
Thursday night. I do like a good joke, but never understood why the delivery has
to be so screamingly loud, that it regularly over screams good solo's.
Back to Bassment though. Although, there is not too
much to add. The pattern was pretty much the same as that of LAB, a lot of good
originals and some covers, with great vibes from the musicians, so the two sets seamed a perfect match. I read a comment the next day by Chok Kerong, who is a pretty damn
cool cat himself. It was simple but showed a lot of respect. “Marques Young is
Mad….”. If I may say so I agree wholeheartedly
and want to give additional credit for the other band members, who sounded
pretty “crazy” to me too.
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